Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas Race horses in Longchamp oil painting


Race horses in Longchamp
mk178 1871 oils on linen 34x41.9cm
Painting ID::  45911 		Edgar Degas
Race horses in Longchamp
mk178 1871 oils on linen 34x41.9cm
   
   
     
Edgar Degas On the race place Jockeys next to a carriage oil painting


On the race place Jockeys next to a carriage
mk178 around 1877-1880 oil on linen 66x81cm
Painting ID::  45912 		Edgar Degas
On the race place Jockeys next to a carriage
mk178 around 1877-1880 oil on linen 66x81cm
   
   
     
Edgar Degas The Bellini oil painting


The Bellini
mk191 200x253cm Oil on canvas
Painting ID::  48686 		Edgar Degas
The Bellini
mk191 200x253cm Oil on canvas
   
   
     
Edgar Degas Detail of The Bellini oil painting


Detail of The Bellini
mk191 Oil on canvas
Painting ID::  48687 		Edgar Degas
Detail of The Bellini
mk191 Oil on canvas
   
   
     
Edgar Degas Detail of The Bellini oil painting


Detail of The Bellini
mk191 Oil on canvas
Painting ID::  48688 		Edgar Degas
Detail of The Bellini
mk191 Oil on canvas
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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